Showing posts with label capoeira. Show all posts
Showing posts with label capoeira. Show all posts

Friday, January 18, 2013

Freestyle Friday: The Berimbau


The berimbau has had a major influence on my life for the past year. As I have mentioned, I found and fell in love with capoeira. Fortoday’s Freestyle Friday, I want to pay tribute to this magical instrument.

What is a berimbau?
http://en.wikipedia.org/wiki/File:Berimbau_parts.svg
“The berimbau consists of a wooden bow (verga –traditionally made from biribá wood, which grows in Brazil), about 4 to5 feet long (1.2 to 1.5 m), with a steel string (arame – oftenpulled from the inside of an automobile tire) tightly strungand secured from one end of the verga to the other. A gourd (cabaça),dried, opened and hollowed-out, attached to the lower portion of the Verga by aloop of tough string, acts as a resonator.”  http://en.wikipedia.org/wiki/Berimbau






How is it played?



Here is a fun berimbau video!

Berimbau solo


How is it related to capoeira?
The berimbau is the main instrument in capoeira. It leadsthe rhythm of the game and guides the player’s speed, style, and intensity.Capoeira is one of the only martial arts that incorporates music.
Here are some samples from http://www.capoeiranyc.com/berimbau.html:
Angola - Slow beat, close to the ground game, withslyness movements. Angola

Benguela - Closed game, medium beat with lots of swings and stealthymoves. Benguela

São Bento Grande - A fast beat with more aerial and fast movements.São Bento Grande

What is Capoeira?
Capoeira is a Brazilian martial art that incorporates music and an element of dance. It is known for both its low ground moves as well as its flips, headstands, and other acrobatics. I wrote a little bit about capoeira ,HERE and HERE.
Here are a few fun videos about capoeira.








I was in Brazil during the filming of this video.

This video wouldn't embed
http://youtu.be/6H0D8VaIli0




Tuesday, January 1, 2013

Capoeira: Second Encounter

 A year after the first installment, I am finally getting around to writing the second. Some of the details are a bit foggy, but I did my best to recreate them.
READ THE FIRST INSTALLMENT HERE.





"Outside?" Brian asked, eyebrows punctuating the word.

"Yes, outside," I replied. "The weather is beautiful. A walk would be nice. Isn't that the whole reason we moved so close to the square?"

"Well, yea, but you normally dig in your heals anytime I suggest an adventure of this nature."

"I know. But today I feel different. Don't question it. Let's go."

The meds were doing their job. It had been nearly a month since I started taking them. My fear was starting to subside. For the first time in over three years, I craved being near people. I wanted adventure. I wanted to see what was out there in the big scary world.

He stood, no longer questioning, and began ushering the children to their bedrooms to get dressed.

“Cartoons!” they protested.

“Simmer down. They will be here when we get back,” he retorted. “However, who knows how long your mom’s mood will last.”

He had been very supportive through it all, watching me shift from scared of my shadow to extrovert back to recluse during our eight years together. The last few years I had been adventurous, but the adventures were left to the characters that whispered in my head and became words on page.

The doctor’s visit and medication came after a sudden realization that my fraidicatness was not just hurting myself, but also my children. My four and eight year old stayed inside most of the time, because I was terrified of what was out there lurking for them. Irrational fears that paralyzed our lives--not just mine.

I recognized the fear. The last time it was present, my daughter was a fresh, fragile bundle of joy. I knew it could be overcome, and I knew that I could pull myself back out of this. I just needed a little jumpstart.

We stepped outside, the sun’s rays hugging our skin.

“I’m hungry,” the boy whined upon making the first turn out of the neighborhood.

“Then we will eat,” I replied; now at least finding direction in this impulse decision.

“Can we go to Raging Burrito?” asked my oldest daughter, pushing her chestnut hair from her face.

“That sounds like a great idea,” added Dad.

We walked the distance to the restaurant. We ordered, we ate, and we drank. The waitress had just rested our second round of margaritas on the table when the children became restless.

“Uh, it’s frozen—I can’t kill it,” I said, my voice mirroring my youngest at his worst. I was beginning to regret this decision.

“Miss, can we have the check and two to-go cups for our waters?” Brian asked the waitress.

As she walked away, I asked, “Why would we take our waters?

He winked at me.

“Oh.”

He poured the pomegranate and mango margaritas into the styrofoam and helped wrangle the kids. We stepped back out into the sunshine, our eyes readjusting and our brains swimming a bit in our skulls.

When we had only walked a few feet, we heard it.

“Shh, listen, kids,” said Brian.

“Is that?”

“Yep.”

I wanted to run towards it. A large crowd formed around a dance studio. I could hear the twang of the berimbau, but I couldn’t see it. We pushed up closer to the crowd.  The spirit of the berimbau was pulling us.

Inside the studio, we saw the circle of capoeiristas. The watchers were tightly packed in the wide-spread glass doors, half wondering what they were watching and the other half glad to see it once more.

My son tried his best to see, his height barring him from full sight. A tattooed man wearing the all-white uniform, covered in grass stains saw this and smiled at me, eyes asking permission, and then reaching for the hand of my youngest.

A caramel skinned girl, with a long ebony braid, and the most honest, open face I’d ever seen turned her back on the circle for a moment and walked over to us. She took the hand of my son and led him to the circle. He followed, smile hugging his ears.

The circle opened, making room for the boy who was half the size of the next smallest—a boy about nine with a faux-hawk.  They invited him to play. Having watched their movements and trying to mirror them, my son cartwheeled right into the center alongside of the tall skinny man, who appeared to be their leader.   He moved his limbs similarly to theirs, and managed to duck a kick and throw one of his own.

My son beamed as he walked back towards me.

The tattooed man still standing next to me, extended a colorful flyer towards my clasped hands. “We have kids’ classes.”

I remembered my wish from my first encounter with capoeira. If I had only found this when I was younger. It was too late for me, but he could have it. He could love it. I could love it through him.

I bent down to the boy, “Would you like to learn how to do that?”

“Yes!”

“Can I try it too?” asked my daughter, eyes sparkling at my side.

We gathered down the time, the place, and all the other information that would bring this beautiful art form into our lives.  So what if it was only vicariously through our children?  

I still had no idea what transformation lied ahead. No idea what we would all become. That a simple, extended Brazilian hand would later give me a new name, a new identity, and a new life. This was the baby step. A simple stroll in the sunshine.

Share any thoughts, perspectives, etc. I'd love to hear from you. 


Some background on this piece. I am embarking on a journey of studying the culture, social movement, and communication of Capoeira. In order to move forward, I felt it was important to look back. I hope to role out additional pieces based on my past with this beautiful art form that has grabbed a hold of me and changed my life.



Saturday, November 5, 2011

Capoeira: The Story of My Introduction

photo from http://usslave.blogspot.com

Back in 2005, my husband and I, along with our three-year old little girl, were exploring Blue Star in San Antonio. Blue Star is an artist community that opens its doors to the town on the first Friday of every month. We went from space to space exploring all the Indie Art, introducing our princess to paintings, sculptures, photography, and many other beautiful expressions of the heart and brain.

When we stepped out of one of the buildings, our ears perked up to a combination of drums and another very strange yet beautiful musical instrument. Brian had heard it before, but my ears were virgin to the pulsing twang and hypnotic beats. We gravitated immediately to a circle of souls, clapping along to the music. There were lyrics, but they were unfamiliar to me. Not English, not Spanish. 

As we stepped closer, I saw the circle's center. The crowd watched as two flexible bodies moved together in harmony. It resembled a fight, but nearly looked choreographed to prevent injury to each other. A dance?

"What is this?" I asked the person beside me.

"Capoeira," he replied.

I nodded, the syllables lost on me.

I watched in amazement. The circle continued to shift. The bodies dressed in all white took turns in the center--dancing, performing acrobatics, and moving instinctively with each other. This circle, a cultural melting pot, was stirred by all shades and tones of skin color. Men, women, teenagers, and even a few small children took their turns.  They each brought their own spice, flavoring the flow of energy pulsing through the crowd.  My mouth remained in the largest grin. My eyes could not open any wider.

The person next to me tapped my shoulder and exaggerated his hand gestures. He wanted me to clap. He didn't say a word. He only moved his hands in front of me, and I knew what he wanted. I was no longer just a spectator; I was part of the musical circle -- if only by providing more percussion with my hands.

We stood and continued to watch. There was a spirit here. I could feel it. It was climbing in through my skin and beating along with my heart.

I shifted to gain a better view. Soon, I stood behind a girl playing one of the odd instruments with the peculiar sound. It was a long wooden bow with a single string. Attached was a gourd, similar to what my grandmother had hollowed into a birdhouse on her farm. The girl held the gourd against her belly, tapping the metal string with a skinny rod. I would later learn the name for this magical instrument -- berimbau. 

I had never in my life witnessed something so beautiful, so raw, and so primitive. I wish I would have been exposed to this earlier, I thought. My, I would love my body to move in such a way. 

Little did I know what was in store.


Share any thoughts, perspectives, etc. I'd love to hear from you. 


Some background on this piece. I am embarking on a journey of studying the culture, social movement, and communication of Capoeira. In order to move forward, I felt it was important to look back. I hope to role out additional pieces based on my past with this beautiful art form that has grabbed a hold of me and changed my life.